Stand By Me

Leaving Lost Angels

I am emptying at your move
I have no choice but love
I no longer fold my hands for anything
but rest
I have earned
every scar
and all I know of capes
could be squeezed,
uncomfortably into
a dire, match-book mattress,
I only give up when
it protects you.
Tonight I push the bill
off the bar and no longer
snort my way back to sick,
warm, real abandon.
I don’t live in the name of
Rimbaud, Kerouac or Morrison,
this little thing is mine,
and only mine.
The easiest part was killing it
in my head .
Otherwise,
the hardest part is being
aware you are MISSING
irreplaceable days,
and in finding your earnest hope,
for a chance
to live out
what many might call
average lives,
you get to partake of
each individual
dynastic star from
the purview of
cell, stone, and bars.

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Swigging, the Light Fantastic

Give me one more big fucking swig.

I want to leap out of a window some days.
It is nothing special.
I am not infected with anything,
it is just the slow drawl of truth,
giving you what for,
while you wash the whole
floor of the library, with your eye.

I want to creep into the auditorium
and rip out all the seats
and force everyone to dance
at every event
even dog shows
even hockey
even pope visits
and especially pope visits,
but crunking, all of us, dry humping
to his slicked back religioso.

I want to sing in the basement of the madhouse
with my headphones duck taped to my ears
so they can never break me out of my routine,
not easily, you’ll never take me
from my own mad shuffle,
without a fight,
without some scratching,

and some twitching,
and some devil tongue,
and some downright tongue.

I want to eat all of the spirit.
I want to fuck on tombstones and in catacombs.
I want to piss my name in the snow of your culture.

I will be the prisoner out in the yard,
collecting rocks,
making a crude chess set,
trying to learn a new way to say fate,
producing a work that is
half scream,
half tune.

Give me one big swig,
and you can have me
for another day here.
I will close the window,
quit the dance and find
my own way home.

Just give me that bottle.
Give me five minutes of your time.
Give me your first born.
Give me your Jack and
I’ll give you my Queen.

I still have the black one
up my sleeve for later anyway.

Give up already,
we’re already 9 floors down,
and 18 more to go.

Get ready for the finish,
it has nothing to do with circularity.

I wanted to give you one last
echo is all.

Is that not what you longed
for from them all?

Just one reverberating kiss
to guide your final ascent?

Or would you like to come along,
have some fun beneath?

Can You Do It?

Can you do it?

It is 2002 in BC, somewhere the ghosts of that night still haunt.

She went around the hotel and
asked if any of us knew Johnny
and none of us did all we knew
was fix and formula
to get some more
but she went around anyway
really just hoping to run into
anyone even a new
Johnny.

It feels like House of the Rising Son
is always playing in some room.
The hallways are all slanted.
I could be in the movie The Doors right now
when the boys meet The Velvet Underground,
but I am not and it smells like piss and sweat and cunt,
altogether, in one stank, rank miasma of odor.

But I am alive and there is some rock left in the room
past the bitch crying into a microphone
and the one filled with darkness and eyes,
and I can taste it now, covering me in sweats
and dry, insipid heart beatings, and I am there,
whenever I get caught off guard by someone on
some corner in some shitty bad place, I am there.

And then, I am not.

It is still the same cracked out place I am sure,
and the bulldozers when they finally do take it,
a plume of soul smoke will erupt in the air like Poltergeist.

She went around the place
like some dour, damsel or Susanna,
finishing the corner of every ladle,
but the corner eats everything too long
left around it, a whirlpool that leaves tragedies
hungrier than she is, before she shuts down.

She looked at me that one night
and out of nowhere asked,
pointing at the crumb on the floor,

Can you do it?

It is not

for KW

It is not for you, it is for me
to walk the streets at all hours still
and sing a little, maybe a dance move or too even
if I feel especially on the end of it all,
I’ll weep uncontrollably.

It is just when I am off the stuff for “a few”,
even text the old Argentine “Yeah no drink till June”
that he’ll get a dozen garbled after-texts
which barely make any sense at all.

Well, if they were from anyone
but me,
that is.

It is not you kicking cop cars and slipping them the finger
before running. Unless you’re one of my cohorts.
In which case you’re likely also wielding a trumpet,
the car is likely on fire, the police are likely, confused and
powerless.

I thought of him the other night
when CTV National exposed some random stories,
one where a rape chant originated at my old University.

One about a strange incident in Parry Sound,
in which dozens of Garden Gnomes,
stolen over a period of time, or was it one night?

Who can be sure, they were all lined up in a parking lot,
though
that much is for sure, all in rows, neat and uniform
and giddy and frolicking

like they didn’t give a fuck,
like nobody had abducted them at all,
like, well, foolish garden Gnomes look,
is all.

It reminded me of the great Gnome slaughter of ’98.
I wish I could remember it.
Like King and Salem’s Lot,
some of the demons are yours but
you can never get un-got.

It is not me I seek in the mad ones I have
followed, like weird news-reel made real,
it is within me, that I hope to share even a shard
of them, like a Skesis trying to get a Gelfling,
in Dark Crystal, to sell him some
more soul.

Some more time, to live in digital youth.
Let’s dance tonight, on the old downtown roof.
The one from the past, all sticky with truth.
I’ve got a story for you, that nobody else will
get but you, & just have
to hear what happened next.

I’ve got a story and
it is not
for anyone else.

Get Me To The Geek (or) Better Dancer Than Me

He would dance sometimes

high out of his fucking mind

and it would be like something

in the background of Mass Effect

or some character in the movie Strange Days.

He was free only then.

Other times it got sloppy like Kurt and Goldie in

 Overboard, more booze than uppers and maybe

a few too many nights in a goddamn (“I say God-damn”) row,

and he looked more like Elaine dancing on pain meds on

Seinfeld

Seasonally, a haggard rendition of Chevy Chases

Fred Astair and Danny “fucking” Kay rant

while twitching like something in the background of

Scrooged during the X-Mas party scene

where Bill Murray could’ve totally gone home

with the cute secretary and has to watch it

all in the Ghost-bleachers with that crazy cabbie fuck.

Maybe a rowdy alien at the Cantina, busting a Jedi-Funkified remix.

He would dance sometimes like the white kid

In The Power of One, but that was strictly for the purest high.

He would dance around a glass table and finish al the lines

like a champ. Like Rocky meets Hurly Burly,

On K he was MJ in Moon.

On whites he was schitza-a-shiva on a tilt a whirl,

an arcane hunter of shadows.

Bob Marley on 9 hits.

Enough of everything, and the mother fucker floated like

Powder, or that patented Spike Lee head/shoulder angle,

ghetto blaster over the other.

A big, bad motherfucker like Uma and Travolta in Fiction.

Like Carleton on Fresh Prince.

But no matter how blasted, how gone how other worldly,

how Sheen-i-fied or Scottied

he might have gotten he never,

ever pulled a Risky Business.

Dance magic Bowie? Enough shrooms and sure.

The classic Julia Stiles gets taught to dance “black”?

Enough pheromones and Beer from a brown paper bag,

and anything is possible.

Finally done, he’d head home.

Find something to watch.

“Epic Fantasy, Schmepick Scantasy”

Epic Fantasy Schmepick Scantasy,

give me the summer of our love,
and I will forever me oval faced,
pancake iris’d, enveloped by the arrows
and pointed spears and deadly artefacts
of your bad, bad love. I can get back to it,

but as of yet I am always confined
to the scrying scope of a neighborhood crow
who took up territory a block over,
by the used car lot and corner store,
that same hot, hot year. Once in awhile

I can see a glimmer of your head from
the strict hedges, unmistakable curls
no less telling than the very fingerprints
on your charcoal stained fingers. Once I heard
us make love, me and my cackling scrawny

soul’d salut, all bark and very little, limpid bite.
You, turning out the kids from the back porch.
Walking out into the summer when all
the lady bugs were mating, like jazz-dust
shook from the blanket of the night, trailing
around your vixen, freckle crescent smile.

Caw.

Your orange zest and patchouli and acrylic paint.

Caw. Caw.

The sound of your bangles smashed against
the august humidity of midday.

Caw.

And then I’m gone again over the downtown core,
past the burger stand and the grocery store and the
tacky Chinese restaurant awning, where some angry
Chef tries to beat me to death for shitting on his clean,
recently de-shit-if-ied walkway, so I caw again and swoop.

You can keep your epic fantasy series.
I’m making my own.

Meanwhile, Back at the Glass Cabin…

(for R.E. and M.W.)

Up until now, I only understood my old friend in passing. I mean I knew his type of (or rather what I until now regarded to be) his type of cynic. Or even a passive aggressive way of dealing with the acceptance of legions upon legions of things one knows today that readers of Dickens’s serials didn’t likely have to bear the weight of. I’d get drunk and pick arguments that had no real conclusion, knowing he would say the same things he said, and I would say the things he said. And I would feel smug, and then shameful for thinking that of someone so important to me. There are certain voices in your life that might take you a decade to hear properly, but when you do you have one of those synchronistic clashes of a bunch of things like at the end of Signs. Except creepier because I actually do bear resemblance to the scariest 2 seconds of an alien apparently, ever.

“It’s always been bad. Have you read the Canterbury Tales? Shit has always been bad, but I believe people will figure it out. They always have.”

Then I would go on about some new internet sensation, something about Monsanto or Bees (but nothing so ridiculous as the last parts of The Happening), and we’d always end up at the same seeming loggerhead. Recently I found the center of that kernel budding in me, and much like the cocoon-gestation state for the baby face biters of Ridley Scott’s far superior, (pre-Prometheus puritan right here) Alien/s series, the early life of what I will call the “letting go of fictional friction” because I see now that is what it all is. Fiction.

Even if the government is out to get you, what good is it to run around like Charlie Sheen with your crack cut off?

Our fear for the future is a frictional fiction, something we invent to justify whatever we need to, in order to survive in body and mind. This shouldn’t be mistaken for the real kind of change people pursue as a result of the need for change, like reducing ones footprint or recycling (unless you worship at the church of Pen & Teller’s bulls**t) or any number of proactive tings people are doing in hordes nowadays, like the kid in Pay it Forward Because people can do things in a calm way, a collective way, after being presented with facts and proof, and logical and sane practices in presenting them. But nobody ever changed the world with worry or the worrying of all around them. No matter of scare-mongering or chicken little-fretting ever really amounts to anything, except antagonizing one’s community. State your concerns, write them out, act them out, film them or sing them or scream them to the nearest mountain (like all those terrible Scripturama’s, or even the occasional gem), and let it be, like the song, the sentiment and the necessary sacrament to the acceptable social cues and norms.

Because otherwise you’re just waiting for someone to teach you a similar lesson. Like at the end of Rudy when the coach got the ole “we are all Spartacus” treatment. Nobody left in the Western hemisphere is going to benefit from being grabbed by the proverbial shoulders’ every day and called a “sheeple” told the sky is poison and the government is under their boogeyman beds (like Howie Mandel before the germ thing in Little Monsters).

You know what? People need solutions. People need a hundred more Venus Projects before one finally sticks, they need engineers busting their assess and they need to understand how rigged the democratic system is. They can learn all this in morsel like bits of earth shattering info, but I have yet to see anyone in my life take to the kind of fervent, snake-oil hucksterism of most extremist conspiracy nuts (Alex Jones, et al.) when they pound the same points in daily, in some effort to – for all I can seem to interpret- ascertain some level of control in their lives. Join Greenpeace. Sell your car. Dig wells. Plant trees. Garden. And yes, collectively mobilize. But there’s no need for Jerry Maguire tactics. “Gee you know, that maniac in the street daily screaming about chemtrails dear, I think we should really heed his prophesies of doom, don’t you?” – said but nobody rational, ever.

And I for one stopped reading a bulk of the more preposterous links. I don’t benefit from that kind of hyperbolic mindset even if its 80 percent true. Why? It’s gaudy, that’s why. Yeah I said it, I like my philosophy like I like my women, presented clearly and cleanly in fresh, and inviting formats. I don’t go for the bottom of the barrel assholes like David Icke and Jones et al. I’m sorry. That’s not how you win friends, and it is only how you DISASSOCIATE good people form learning anything. So from now on I read nothing that’s hackneyed and ridiculous, unless it’s my own poetry during the dreadful next day scan, like buddy with his Kublai Kahn in Pandemonium.  If it has some level of professionalism and doesn’t simply reiterate the Alex Jones “They Are All Part of One Grand (I’m kind of off my meds so I see grander patterns than usual) Insidious Plot of Illuminati”, then I just scroll on, brothers and sisters. Unless it’s Unsolved Mysteries, I have a soft spot for that level of “professional” terribleness it imprinted in childhood. Perhaps that’s why I have trouble taking people seriously that present facts like Sean Penn high on blow in Hurly Burly mid-rant.

Old friend if you are out there, know that I acknowledge it. You were right. It’s never THAT fucking bad. People will rally, and shit will get fixed, or it won’t. No need getting out of your groove over it, right? Besides how else are we ever going to get to see a post-apocalyptic world where you can buy peoples experiences on the black market like Strange Days, if it doesn’t keep on truckin’ right? We already have Juliette Lewis primed as a singer for it too…

I guess what I’m saying is, I would rather talk movies, than hollah at the masses so often, they fail to listen when I finally do, Marvel and Greek God’s forbid, say something. Leave the slaughterhouse to the task of setting about chickens sans top, now and again. It’s been happening since Chaucer and will long after “Mr. Vickers” aka “The Heff” aka “Ginger” et al.

Dedicated to the Spirit of Film Friendships,

Namely Mr. Ebert

(and the sock puppets formerly known as Theodore and Roosevelt)  

Lady Fate

I fell for this girl who
also called herself fate
when allowed to take
another name.

We met in summer school,
this cramped class, a far too
idealistic teacher, and this
young, perfect encounter.

I read No Great Mischief and
The English Patient that year,
Both of them were the some
of the first words I really got
swept away by. Macleod and his
similes, Ondaatje and his
Herodotus histories of desert
storms. It was enough to fill my
notebooks with proud dream
journals and even six months
Sans drunk if I recall.

I was already betrothed to a girl
who had never known a trustworthy
role model in her entire life. Her family was
cold, her mother might’ve inspired
Nurse Ratchet, clamped down the kind
hearted father he didn’t even
remember having a pair by time
I showed up with my Kerouac
and my heirs apparent. I, who ordered
Salmon when we went out on their
dime because is somehow felt
like the right thing to do, like it made up
for their having ruined the girl’s youth.

This fate lady though, was different.
She was all black straight hair
and daddies attitude and heart
on her sleeveless, summer arms.

I told her I recognized her and she
just about lost it.

“How could you have seen me?
I thought that show was only on in the states!”

It was, but I had a step father who loved
technology; we had laser disc players and a
satellite which meant I had Nickelodeon
when it still had some integrity.

I had been unimpressed with her show, but
she was clearly caught between finally showing
something emotional, she was proud and
wanted to be fawned over for her claim to fame.

Then the fire drill.

I smoked then but was trying to quit, so
I was wandering outside hoping to bum one.
The crowd thinned out, and eventually it was
just me and her, in one of the few cinematic and
romantic scenes in all my existence took place.

It started to pour. Sun shower.
My personal favourite
of all the varieties of rain to stare upward into
arms outstretched, crucified by joy.

Then she did. So I did too.
There we were in the sun shower,
arms stretched out, heads raised
toward the fragments of light ripping
through the dissipating wall of cloud,
completely silent, a temporary relief.

Just like Gordie Lachance and the deer
in Stand By Me, I kept that to myself until
just now, when I reopened it for you, like
a butterfly wedged in a bible for 12 long years,
dreamt of often, but never actually let
back into existence. Still just as perfect, too.

Sleep well,
Lady Fate.