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The Meta-Movie-like Hangover Experience

Head like a Hellraiser cube.

Eyes like Demons.

Feeling about a foot tall like Puppetmaster,
or some remnant of Harryhausen’s Ghost.

Woke up this morning like Groundhog Day.
Wanted to Lennon Bed-In my way out of it.
Couldn’t find the light switch like Waking Life
meets Philip K Dick meets 12 Monkeys,
or Mice of Men meets T-2, making robotic motions
slowed down like Fear and Loathing’s
man on an ether binge scene.

I’m stuck in my own meta-remake like
Last House on the Left meets
Cabin in the Woods.

My head feels like Blow Up.
I wanna throw up, like the
intertext of Stand By Me.

I want to crawl up inside a replicant,
I want to be Deckard, I want Daryl Hannah
from Clan of Cave Bear, to teach me about fire,
and how to be a better warrior, like Braveheart.

My fucking head feels like Scanners,
just seconds before the bang, like original
Total Recall, just before “Two Weeeeeeeks!”
and even a little like the Red Mist leftovers
of Hurt Locker opening scene.

My stomach is like Videodrome.
I could reach inside and pull out a pistol,
long as any of Eastwood’s, but surreal
like one of Nicholson’s Joker props.

My sinus’ like that guy in Crocodile Dundee
in the New York House party, eyes red like the infected in
Return of the Living Dead, Jonny about to scream
“Ginaaaaaaa!”. My nose filled with shit that alternates
between Slimer in Ghostbuster green and
the 80’s The Blob’s pinkish hue and the yellowy rust of
the alien in Enemy Mine.

I’m propped up at the table,
like Texas Chainsaw family,
or even the elder zombies in Dead Alive.

I feel like Gilbert Grape. I try to talk,
sound more like Mumbles from Dick Tracy.
Pale like Powder.

My memory is all Memento meets Hangover
meets Being John Malkovich.
I feel like the actual New Jersey Turnpike.
Like Kafka woke me up in a script for a
Basketcase remake
and all I can do is try to scream but my mouth
is all Mr. Anderson shut, or
even Twilight Zone movie-clamped up.
Either way it’s Eyes Wide Shut darkness.
Event Horizon of the holidays.
Candyman mine as well be in the shower,
and I’ve begun to turn like American Werewolf
in snowstorm. I just want to get back to school
like Dangerfield or Slater or Cusak
in any number of films.

I just want to dance,
like the guy in Dazed and Confused.

Where’s the easy voice over of Daniel Stern?

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Book of Epoch (First Chapter)

Here you’ll get all the generic shitting in pants.
The crying for pablum.
The open envy of breasts.

All the loathing of any available silence.
All the mysterious anger aimed at the screen.
All the red.

Here you will find a ghastly lumberjack
charges into my room screaming and paranormal.
Hoping to jar my sorrow for payment?
Impossible, Monsters Inc. is years away.

What will the childhood images that flicker on
tomorrow’s teen’s inner stage look like?
Millions of logos smashing into images of towers
and fat congealing in the narrows of their holiest places.

Where will a million humans texting end up?
Lemming-lept into concrete absence of real struggle,
into mouse-clicks that agree and share and like and
do all that other heavy emotional lifting, leaving the
psychic exoskeleton looking like a dancing bo-jangles
who can’t keep the bones from falling all over the pavement.

But that’s all middle to last chapter shit.

Bodies all over the hemisphere abandoning the struggle
of a book for an app.

Angels caught and demoted to trumpeters for texting while smiting.

God gone off-line for an hour,
to update your status.

Wonders sent to junkyards for later, post-apocalyptic salvage.

Movie sets turning into battlegrounds.

Celebrities rounded up like cattle. Forced to reenact for survival, the
hungry salvager-crowds.

It’s going to be like Burning Man.
Only hotter.
And forever.

But that’s another chapter.

free for all (bukowski style)

You get one freebie
she says, before she opens
her book and signs you
up for a lifetime of cable.

You get one hundred dollars.
You get two hundred dollars
when the job is done.

His sandwich is leaking
and the furnace is too high.

Have you done this before?
fallen out of a poem into a dream
like this, Mr. Anderson?

Has it been a year since your last
re-watch, where have you been?

Off to the races, and may the craziest fuck win.

I think
i’ve been spending too much time,
listening to Tool again.

Need to return to Dvorak,
New World Symphony on hands and knees,
crack open the good book of Buk’
and breathe.

Tron Soundtrack Inspired Mania

Robots Fuck When We’re Not Around.

They bicker after, too.

“You let people into the house
of your heart and then you
condemn them to watch as they
burn inside and you, you always have
an excuse for why it wasn’t you!”

and

“You, you always have a reason not to donate, and
You, you cynic, what have you done lately, that wasn’t
just to marginalize for your own ego?”

Pick up a broom. Always work in a kitchen. All that.

“You let people into the temple and you flick rocks from the
righteous belfry. You play a game of human domino,
and the shadow’s, even those fuckers get buried.
There is not a jury alive that would know your name.”

“You are like the many named demons of the old stories.
You are like the shit on hell’s waiting room urinal.
Written next to you is “Why Give A Shit Now”’

[Then they start to fuck again, ideas and concepts like shuffling deck. ]

And for a good time call someone who cares,
for a good time call the girl of your dreams only
99.99 only a dollar more, just an inch off the left,

Come back to Denny’s for the old fashioned taste of
Thomas Pynchon’s art-I-choke, come for the boot
of thy womb, Hertzog, you, you who have only ever watched

& siphoned and spoken and cried, the welp of the lot, you bitter
bastard child of Robin Hood, you, what are you doing with
the rest of that sandwich, where are the rest of your army.

What is the hold up with this extension to the Wasteland?
Where are all my vertigo comics, and what have you done with
the Vangelis synth’s, the medieval, digital doom now flops
in between the invisible gears of some hard house loom.

You, there with the ill-framed arc. Come we get ya going.
Upload. Engage. Re-form. Inspire. Release.

There now, how’s that?

Trouble Teller

Soon as the page goes up bright
and post-modern white most of you
little shits scatter to the scourge of
cockroach mathematics but I am
a teller, and the tale won’t leave my
hand alone until I play every
soft trombone moment its lullaby.

Every day my mind thinks up reasons to
create worlds for characters who could
stand up to those of HBO’s The Wire
the kind of characters who if they were
ever forced to live a day of the written universe
of Friends or Big Bang Theory
(the ugly ginger step-child of Friends)
would just go absolutely fucking nuts and
meta-slaughter that place dry, a-light the

margin highways with the
Men and Women who bleed
Crayola Red & Crayola Blue.
And Hooker Green, too.

In the end if you want me
I’ll be on top of the credit unions
in another more hyper violently set off Fight Club redux
with Al Swearinjun and the rest of Deadwood,
and fucking finishing what was fucking was started,
kicking the shit out of every AMC zombies with three from Romero.

Maybe just floating around with Zooey Deschanel, making sure this is
her last shitty sitcom. Making sure we all get to bed just a little
Unsettled- that’s me. The Trouble Teller. So if you want that clean,
trouble-less America Idol bedtime story told in a flash mob or Glee-fuck?

Keep moving.
There be dragons up n here.
Talking Omar-Style.

Get Me To The Geek (or) Better Dancer Than Me

He would dance sometimes

high out of his fucking mind

and it would be like something

in the background of Mass Effect

or some character in the movie Strange Days.

He was free only then.

Other times it got sloppy like Kurt and Goldie in

 Overboard, more booze than uppers and maybe

a few too many nights in a goddamn (“I say God-damn”) row,

and he looked more like Elaine dancing on pain meds on

Seinfeld

Seasonally, a haggard rendition of Chevy Chases

Fred Astair and Danny “fucking” Kay rant

while twitching like something in the background of

Scrooged during the X-Mas party scene

where Bill Murray could’ve totally gone home

with the cute secretary and has to watch it

all in the Ghost-bleachers with that crazy cabbie fuck.

Maybe a rowdy alien at the Cantina, busting a Jedi-Funkified remix.

He would dance sometimes like the white kid

In The Power of One, but that was strictly for the purest high.

He would dance around a glass table and finish al the lines

like a champ. Like Rocky meets Hurly Burly,

On K he was MJ in Moon.

On whites he was schitza-a-shiva on a tilt a whirl,

an arcane hunter of shadows.

Bob Marley on 9 hits.

Enough of everything, and the mother fucker floated like

Powder, or that patented Spike Lee head/shoulder angle,

ghetto blaster over the other.

A big, bad motherfucker like Uma and Travolta in Fiction.

Like Carleton on Fresh Prince.

But no matter how blasted, how gone how other worldly,

how Sheen-i-fied or Scottied

he might have gotten he never,

ever pulled a Risky Business.

Dance magic Bowie? Enough shrooms and sure.

The classic Julia Stiles gets taught to dance “black”?

Enough pheromones and Beer from a brown paper bag,

and anything is possible.

Finally done, he’d head home.

Find something to watch.

The Gas Station Angel

Hell exists. I have seen it. It is contained in a stretch
of about 6 city blocks in Downtown Vancouver where
people twitch out like glitch background characters in
a sandbox game, every third vehicle is law enforcement or paramedic.

I would get up at 6 am and take a bus there, with the other
Suckers and suits. By the time the shift ended I was sweaty,
and had my fix of junkies for the week, no matter what time it was.
I had learned empathy from their ashtray faces, their rusty chain link arms.

Horror is not a genre to them. It’s a state of being,
Wedged between “waking” and “high again”.

She always came mid-day and always wore a cheap green coat
I was sure she bought at the Value Village next to us, along with
the strange costume bangles she wore to compliment her over-applied rouge.

It was a wind breaker, wrinkled as though left a hundred times
after rain-walks when she has forgotten her umbrella again,
and again, and now the thing was as withered as her
vein splayed hands that count loonies on the glass counter as I smile.
She was an Irish princess to someone once, and Hastings a booming community.

She looked like Jessica Tandy (whom I secretly teared
up over at 12 in Fried Green Tomatoes and feel far
less ashamed now than I did for it, thankfully.)

She would come in and buy these French Vanilla
powdered machine drinks, made buy some massive
and dark corporation with little care for the former
Princess of and Irish Poet, nor Hastings or its glitch mobs.

Sometimes her husband had a chance before work
(his suit and tie never perfect, him always mildly agitated)
and would walk the four blocks from their cramped, dim- lit apt.

I know it because one day, much to the anger of my boss,
I walked her back there when she all of a sudden, having left
and gotten ten feet, all of a sudden perked her head up like
a Scottish Terrier hearing some inaudible sound, seemed altogether
lost and out of herself. She did seem off to me earlier, but
I hadn’t noticed, busied by a slew of usual as usual.

The Greek Goddess I never had the courage to chat with
except to learn she worked in “publishing”.

The one we called “Mr. Chu” whom was the one homeless
one allowed free loitering-reign in the store (a common practice
I noticed in many stores throughout the city, something I always
rationalized was both for Karma and a handy witness to deter or
in the chance report malicious behavior, of which this neighborhood
could provide enough for a thousand gas stations and Mr. Chu’s)
of course all he ever wanted was the washroom key, he was
granted microwave access and spent hours stood at a lottery table
that nobody but him seemed to use, and scribble childish pictures,
occasionally laughing to himself, causing me to smile and stop.

The man I called “The Gambler” because he ritualistically
came in 3 times a day and dropped hundreds on Keno,
and I decided must work in some type of stereo business
or manufacturing, because his hands were clean but he was
always in a denim jacket and smoked cigarillos and what
the fuck did I know at 21 anyway you’re thinking and you are right,

I didn’t know shit.

But when I saw her there, lost, I couldn’t not walk her home,
carry the drinks (her quiet seemed to testify to accidentally
pouring a second but having been too embarrassed to say.

She had the sweetest frailty, the bluest eyes, long and straight
and still mostly blonde hair and I thought, the slightest lilt in her voice.
She mentioned having been confused, and when she realized I was
listening she calmed down pretty quickly, and we reached her apt door,
and I even came in and set down the syrupy, leaky mess of the cups.

Seeing she was safe, turning to leave, I will always remember that the
entire place was bathed in yellow light, and dozens of paintings had over
taken the entire place, everywhere space permitted they were jumping out;
each one of a sunet, or a valley, or an ocean and Cliffside

Some were quite good, but the ones closer to me revealed someone else
had painted them, more child-like, less aware.
The suns looked like burning sunflowers in the sky, the clouds and cliffs
often shared commonality to the point of bleeding into one another.

She had been slowly giving over to fantasy, as all around her the old streets
were filled with anomalies, and walking back to a reprimanding boss,
the sun cutting through the high trees, to Victoria and Hastings,
I knew there were only so many canvas’ and pages to fill before
we all end up negotiating the dark like the Irish Princess or Mr. Chu,
and all we get is now, now is heaven- now is West Hastings, clean
and ready to greet us each day.

Must Be Nice

Enough?

I Don’t Understand This,
you say, you’ve had enough?
Of the stuff?

I’ve never heard of this “too much”.
It sounds pretty fucked.
Like, why would you be at in the
first place if you could’ve said no to start?

Like, how you gonna shit on addicts
when you can’t experience that your
self. Like, how many rejects you

think it takes, to get a Hunter Thompson
or an Irvine Welsh?

It takes millions to produce nation
and one mutant to tell them all
“Go to Fuck”

It’s like a feeling of satisfaction
you say, and I would love
to empathize
but I’ve done, would do
anything in a bag
any size
any way any time
when I was laid back
in the dark of that shine.
That “Mine.Mine.Mine.”

What the FUCK is enough?
Never had it,
Not one time.

But you enjoy the comfort,
That shit sounds divine.

Poem for the Harvey Danger song, “Radio Silence”

I don’t know that I am anything
but a Frankenstein robot, poet model,
a heart made of sound bytes
and those parts of speech
from my better friends and loves.

I don’t know that I’m not doomed
to be like
“the lo-o-o-oonie up in Togus”

I’m afraid not of patterns in the
program or the walls, but the
Dead Literary floor that’s turned
your average neighborhood underground
into a snotty man’s hyper-ceiling.

I think it’s a little demeaning to
expect your audience to know what
you’ve been feeling when it’s
layered so heavy beneath
your “intensity” which I think
we can easily ascertain as just
some assumption of superior rank

in a non-existent illuminati
of time immemorial. You think you
have the prose of an aural aurora borealis?

Maybe so, but what’s its function aside
from your peers and a few couture critics?

I link my day to a page and afterwards,
scour with most basic set of senses,
my surroundings Are the next sentence,
line, next moment, next kiss, write, next,
dream, write wake next, sip cackle groan vent, next,
write, next.
and it just goes on like this.

If you like dj Bl3nd maybe
you’ll like my schizoid-script.

I beat the beat beaten until
Broke, and beaten, got out-spoken
and beat the silence back that beat him!

Let us beat the wool
with universal words
like Ya Basta!

And while the inner circle
of finely crafted naval gazing
fills in the required allotment
to be considered a kind of
crafty craftsmen,
help the others row the
Drunken Boat ashore.

“I get out of bed like Rimbaud,”

(Anything else you pay more)

The new words will be spoken
and will resound with a bored thud,

A Shock-Shock-Shock you
(Yeah-Yeah-Yeah)
when you see they’re just
the same primary colors’.

Poem in the Key of Shadow

I call him my pharmacological doppelganger.
He is the me I would have certainly been,
had I not jumped from the rooftops of my own
semi-serious conditions, to the streets of our
hand written to chalky wall poems.

I call him the one I am glad to have avoided,
the one whose parents must have cared so much
they made too great a movement toward the shelves

at the behest of all the recent (best selling) authors,
and got him all plump on the pills, all pale and low-pulse,
distant and dreary. He peak’s at you, a puppy under a blanket

of hoodies for bands he’ll never get a chance to see live,
and from the perforated palace of a hundred Star Wars
side-quest novels that keep his imagination resuscitating
before being re-submerged, over, and over and over.

But he avoided all the bad trips, and all the near-od’s.
He doesn’t have a single scar on him.
He’s the perfect model for how it pays to plug

the heart up and batten down the eye-lashes with
sleepy time pills and hell, what was this world going
to do with a quiet, shy type but turn him into the new
poster child for disaffection anyway?

There aren’t enough Nirvana albums yet?
We haven’t lost enough of the pumping heart of
Eliot Smith? Does Buckley wash up again?

The cure for life is quiet. It will always look
better on paper and in theory. If there is any problem
with him now, it’s the “solutions” effect.

Cue theme of The Twilight Zone. PS,
I call him my shadow.