Love

“Game Plan number 999” aka “The Final One”

Because the cavern walls have stretched behind me so long now, from that very first taste of it, and my path has curved deeper and into multiple directions and winding, twisting moments…I have decided to travel again. First, to complete the novel, then, to travel with it behind me, in me, and to master it’s retell. Then, to see wild animals, monkey and all manner of bird. To master something else. To teach. To teach children to master something, and to learn from the people around me wherever I roam. I’ll slowly repay my debt; well no, not the student one, it’s gargantuan by this point, haha, but maybe, just maybe, with the will of my every story, which is really 87 percent other people’s gifting me with theirs, I can carve out a travelling, learning, teaching and feeling empire of moments, to wander through as it crumbles in my old, wise because still learning soul’s, final trek.

I always save something immediately when it’s good. This one is the one. As Beck, quoting in cut-up-Negativland fashion, once quipped, “Things are gonna change I can feel it!”.

To give a Star Wars theater experience to my boy, to make my sister cry at her wedding with joy, and Mom of course too. To give Gramps a star, and Mickey a sober, dry run of it for at least a year at a time.

And then to finish the book, to continue sending messages to the people I love, but to go.

I am going to abandon, for a time, all physical connection to my past. I am going to cleanse, to de-age, and to re-connect with this path. I got back on it. But that’s nothing compared to where I’m going. Out of the cavern and into the pan-every-land triumph. I’ll die broke and most likely in debt, but will not have lived, for a second longer than necessary, for Nothing.

In life thus far I have purposefully derailed my future enough times to cause a sort of series of changes to my perspective. By finishing a commitment to school, and actually embracing changes I had not thought possible, I have gained the confidence to really continue my quest. To actually occupy my moments. And to write for all who have inspired me, a thank you letter that explodes in a dozen mini-narratives, like a fractal of a human set of memories. I have personified the fool, I have shaken the dreams of my life into the rivers of my notebooks, I have panned for something to hold up, more powerful than gold. I have found love, like Burroughs for his cats, in the eyes of strangers, and I have crept into friendships so unique and varieties in their connection’s forms that I can honestly say I am ready to know all love. To know all of the forms of the language of human and worldly connection is my ultimate end now.

If it is possible I will give everything I have for my work, but I am no longer foolish enough to think that process is anything but a divination of truth through other people.

The dark, brooding years of self-derailment are over. For all they taught, I offer a work of that long period’s reflection. To myself I offer the following promise. I will go out in the world. I will share the story, and in doing so, build an entirely new one. There is an architecture to joy and I am learning it’s finer points lately. It’s a pretty fantastic existence.

I think I’ll have a time with it.

I think I’ll make graphic matches with the sky, the ocean and the people in the cities I enter like a ghost and leave like a child, sad but alive with movement within and without, more synchronized, less defeated.

It will never occur to me that I have gone astray or I am lost, except in that perfect moment, looking out at the moon in Thailand, dancing to the craziest music, and alive in the truest sense. And I won’t stop, can’t stop, until I get there. Until I reach the personal, solitary zero hour, and am a phantom of my earlier self.

I think the evenings of my life will fill with my words thrown down at all hours, and early jogging and loads of dancing. I want to teach the kids English, teach myself humility and self-love, and just go, go, go.

I Think I finally understand Neal Cassidy.

Freezes & Thaws [I & II]

Freezes and Thaws I

She was sure the package
would not arrive Friday.

They’re kicking up
an awful fuss!
The Post is cutting back
deliveries!

The people of St. John’s were they,
especially in matters concerning
government, doctors,
or postal workers.

In her account of things,
it’s us, vs. them.

They’re closing everything
down here now.
Nothing left in Newfoundland,
no work, sure not a store left Downtown!

I’d almost believe her
if not for the waves of
new store-fronts.

It’s clear.
Nan’s world,
not the city,
is shrinking.

Oh, no mail Fridays now
?
I ask, knowing
this is not so.

She’s a cold one today.
Be sure you keep your hat on tight,

her morning words
are often weather related.
Blow ‘da head off a ya.

It doesn’t seem that bad
by my window, Nan!

I use the fact
the living room
is at the opposite end
of the apartment,
to defend incoming predictions
of untenable weather.

Nan often concedes,
since it’s a theory
she thought up.

Yes the wind is on the back, see,
so when ya go out be careful!

We’ve lived together
since Pop passed away,
and I came from Ontario
to attend University.

Not raining at least, hey?

This is my tactic:
to negate one element,
with the absence of another.

If there’s enough wind to blow the head off ya,
at least it isn’t the rain whose
every drop would fill a bucket!

Too hot? At least it would
be dark soon.

Well, at least it isn’t snowing, hey?

and the battle continued.

No, she returns,
but they’re callin’
for heavy snowfall
around the Bay,
whether or not now
we’ll have it,
nobody knows.

Hard ole day lookin’ out!

Freezes and Thaws II

Last semester,
in German Post-War Film,
I learned about
freezes and thaws.

Relations with Nan
are like the wax and wane
of Soviet-ruled East Germany
before re-unification,
when, The Wall torn apart,
thousands of separated hands,
grasped to reconnect.

Like the professor says,
it’s a matter of
constant freezes and thaws.

This fact’s echoed again
this term, in Soviet Cinema.
Khrushchev would allow
more liberal arts to be made,
then, in a cold-snap,
everything has to tow
the party line again.

Did you hear about the
ghost ship from Newfoundland, Nan?

I don’t bother mentioning
its name, Lyubov Orlova,
is that of a Russian film starlet.

Keep it simple.
Current events.
Weather.

During periods of thaw
our exchanges are
almost fluidic.

The warm water of
communication extends
beyond courtesy.

I keep my door open and
she can see me
from her rocking chair.

This leads to
open fraternization
on a variety of news items.

Yes, and wherever that ship
ends up now my son,
them rats are getting off her!

She’s heard about the ship,
which means we can
further the discussion.

The boat is lost.

Nan suspects,
it was intentionally set adrift,
by the Port Authority,
most conveniently,
in International waters.

It’s filled with
what the British tabloids
are calling cannibal rats.

Yes that’s true Nan,
I mean there is no way
to track the thing now,
since the rats took over.
No radar or nothing, hey?

I know that when I move out
in the Spring
it will be harder.

The mornings quiet
as an empty water.

Instead of painting her apartment
twice a year,
she might have to do it
every four months.

The fleet of miniature spoons
that adorn the walls
on massive collector shelves
will be taken down more often,
each one soaked in a sink
of polish and hot water,
then returned
to individual hanging positions,
like hundreds of miniature
violins, dangling by their necks.

They tell of her life and family,
who always send a spoon
when they move West.

Every province is there,
even the Territory’s.

The Prime Ministers up until,
and including, that fella Trudeau.

The royal family,
one spoon for every marriage
worth mentioning,
up until poor old Diana.

Birthstones.
Provincial flowers.

Their cleaning is
guaranteed to soak up
at least half of a day.

Well, at least it’s gone from our area, hey Nan?
Do you need anything while I’m over at Sobeys?

I’m good, Nan.
I have my key if you’re going, just lock the door.

Yeah I have class shortly.
Talk to ya after!

I sip on coffee,
and scour the paper for
something to top the ghost ship.

It won’t be easy, but,
something always washes up.

Just then,
the familiar boots
followed by the shuffling
of our mail box
being filled.

Lying, All Week

I went around with
The Blower’s Daughter and Delicate
in my ears
because I wanted to
look at every person in the street
like we were in the
credits of a movie,
of a great life,
together, and
we didn’t even know it.

I try not to do this anymore
it is too hard to go home
after that rush of eyes
meeting for once,
for only one moment,
just one brief smile,
and a hundred moments

that flicker in futures
that are no more real

than love at first sight,
left alone in an elevator
or peace on earth,
rolled up in a newspaper,
or a last unicorn,
scratching on maps
its last whereabouts,

or anything else they’ve sold
out of existence,
cornered into stalls
of soundtracks,
made typical like
lucky trolls or
Marguerite umbrellas.

I still go out.
Music is still my wet street.
It’s still filled, too,
with eyes like that.
I just don’t write about it anymore.
And that, more than any of the rest,
is the best lie I’ve told,
all week.

poem for La Mer [NIN]

Graduation

I am almost done it,
that quest I told you about, and
I promise I will make it back,
and I will no longer try to
save you from yourself.

I will let the kiss in the bus stop
rain go unnoticed I will not
smile at the driver from
outside, dampening with
every extra tug back toward you
in your sleek bomber
you with those Docs on your feet.

Because I have read more
of Gilbert and Gubar now.
I know it is me who,
like every power hungry fool,
has been your bane, and
I know the boon is knowing better
than to tie rocks to a feather,

I am going to shut in on myself,
I am the book of hate for objectified
love,
but I still miss you.

I will find a way
to make it back
but I will first
eradicate, even that
foolish desire.

I will run through the library
with the scissor of open books,
I will emulate no other poets.

I am here now.

Your Story

I met you on Route 18.
It was the ugly morning
two after my Mick’s ashes
were put besides his father
and his son’s bodies.

You could see that
I was willing to listen to just about anything
that was not my vacant body
colliding with each bump
in the road and swerve of the transit.

This is the route to his house.
The one I took every weekend I could get off
from the butcher shop in the grocery store in town.
This is the last time I am ever taking this bus.
You see that I am clutching an acoustic
in a flailing black coffin.
Like it is all I ever had.

You start telling me about your quest.
To bring Home Hardware to its knees.
They stole your idea,
your patent pending,
for an apparatus that is both
tape measure and magnifying glass and level.

They stole it right from under you,
and you didn’t care what stood in your way,
you were getting it back.

I thought about the windshield wiper guy,
and that movie that I think only robots
don’t tear up watching,
especially when you told me

how your wife left
and your kids were all grown up
and nobody was on your side
but you were gonna spend your days
making that corporation pay.

It wasn’t the money, either.
It was the truth.
You wanted the world to know
so you had the paper
write an article and you made copies of it.

You let me tell you about the guitar,
and how it was a piece of crap,
truly beyond repair, no strings, warped.
Mick had told me to take it one day last spring,
and it was that ugly day,
when his remaining children,
puffed chests and dry eyes,
had left the wake to go hear the will called out.

When I was told I was not to be their
upon their return, I left.
I left the crowd who
didn’t know my grandfather,
not the way I did.
Not as friend.

I walked past his house.
I finished my 6th beer.
I opened his pickup because
he never locked it.
And I turned it on and
put in the Johnny Cash cd
I had burned for him
a few years back,
when anything that impressed him
I did with a son’s joy.

I wept a little. I cried some more.
I got out with a mission.
I would go into his house
that was never locked, one more time
and I would take my guitar.
My useless, weak instrument.

And I would learn to play
Silver Haired Daddy on it.
It was a song he had cried to many nights
when telling me his own father’s story.

You, Windshield Wiper Man,
you had to ask then, why was I returning
the guitar in its tattered vessel now?
And so I told it true.

His children had called the police.
They had told them I had broken in,
like some criminal, and stolen the only thing
I had left with.

Something he had given me.

So the officer had forced me
to either return it,
or face charges.
It was only right.

Then, you looked at me,
and we shared that moment,
that realization we had both
been put on quests that were
about more than money.
More than family.

Truth.

I told it all then.
How his children had become suspicious when
I started spending time with Mick.

How they had flown in from the West Coast
most having avoided any contact with him,
unless he was buying them condos.

They had learned to roll
their eyes in every language
when he got a few drinks in
and started to tell a familiar story.

And I was suspect.
Because I was interested
in every one of them.

That was when you looked at me,
strange man on a strange quest,
and you said that
no matter what they did
they knew they would never get his
love or respect
not like I had,
and that was all they could do,
was try to take everything else,
even a broken guitar.

You told me
“your story is his story”
and nobody will take that away.
Nobody can.

Then you got off at your stop,
heading toward that massive
Home Hardware.
They were gonna hear from you.
Until you ran out of time.

Thirty-Three

Thirty-Three

He got up early,
it was his birthday,
so he wanted an hour to write.
He could no longer rely
on bottles and rolled goods,
so he thought

“I can have whatever else I want”
and all that meant was an hour.

All week there had been enough to do
and all weekend would continue.

He had started to replace all the music
on his player with old stuff he
had not listened to in a long time.
Even Green Day “Dookie” &
Weezer’s Blue Album.

It reminded him of the time before
the drink and the blaze,
when comic books like
“The Savage Dragon” or
“The Maxx” were his best friends,
when he had a copy of “Creepshow” in
graphic novel format,
and just like the kid in the paratext story,
he cursed anyone that got in-between.

After that he had gotten into “The Hobbit”,
and R.L. Stine, until finally,
in grade 5, he met his first fave writer.

(The same year he fainted
during a video the Roman Catholics showed them
of a baby being born, despite his love of horror movies,
and the sight of nothing else had
ever made him so queasy as all that blood,
from some random Catholic woman who
presumably had offered up her home video birth
to frighten the shot out of the kids
at St. Peter’s Elementary.)

That year he stayed up all night with Cujo
and knew he wanted to write like the King.

He was happy again now,
the way he was back then.

It was going to be
one fuck of a year.

You can trace the magic
in every day
track it bloodhound down,
like streets without names,
pics without frames
players without games.

Or you can get hung up on
what you don’t get to do.

He looked at his watch,
and saw he still had 45 minutes.

He looked at his son’s photo,
the bright of his eyes,
and he thought of how amazing it was
that the kid loved Green Day and
was devouring King now also,
and how,
in no short time,
he too would be 33.

And for the first time since he dried out,
it was more than enough
to keep going.

Several Short Blackout Poems

A smorgasbord of drugs a
stuffed animal dancing
in feverish commotion
and a hyper middle distance
that begs before force is
imbibed and passed around
again and again
until you call It pleasure.


Flipped,
rampant,
un-encouraged debate
between gravity and
full speed ahead.
Corked, bottled, bound
and ship berthed.
Sit and split the hammer
with your rusty,
rickety, family tree.
Climb until the haunting
speech is your own,
then disown it and own
the other,
less likely pursuit.
Open aisle ways
of apocalypse
the scripts split
between for keeps
and drips which
drop, drops, dropped.

Caught with the
minimum.
Symbolically set alongside
symbol wings.

Crushing into commonness
and holy about it,
perched.

….
Corrupt dancing,
a criminal undertaking,
rocking the centerpiece,
evaporating wine into smile
into shine.

Accomplice and converts,
a jungle-scape of prompts
and communion.

An overtly undeniable working
of a million necessary
gears and levers.

….
Hopefully a futuristic
causative heuristic
can consign this
bottomless chest and
its unknown content
hopefully services can
be convents.
Prayers are a contest,
nobody sincere is
wrapped up in game.
Every old now renewed
room is returned upon
and the holy uncertain curtain
gets cold again.
Nothing remains in
eager wait for hope.

I Spit Your Reason Out

You stated in some circumstances,
we were only meant to work
and slumber in the after-party.

I fought with you I renamed you
cascading demon titles.

I even learned your enemies signatures,
paraded them out for you,
easy like a dealer, then hungry like junkies.

Complicit I charge in all you do
is an angle of you, you, and you.

I won’t go any further
around the room,
just stew on it as you feel fit.

Permit me the moment though
to wave my finger in the air
and tell you just what the whether
has dealt- whether it was rape or capital
assassination of character, whether it
was art science and political
or just another junglist off on a rant
about their own caved-into-stronghold.

I will not re-right your arrows.
Gibran was right, their sentience
it narrows so ol’ natural that
you reminisce about the subtlest
inference of it, like oil of olay
commercial, jagged little glass
plucking the skin in imperfect melodies.

You know what kind of like I like,
the kind of hate you hate to hate.
We are simple side by side
wallet photos
fridge magnets
matching joggers.

We are the constellation anyone can name.
We are easy.
Not simple
Sexy, not sultry.
Unless we wanted to be.
Unless it got out
of hand and turned
out that way.

I spit your reason out,
you judge me perfectly.
We dance on the floor like
marbles
eating through a mason jar
onto hardwood, we hard hoods of
hipster pre-destinations and
another amalgam of personal,
preliminary muses.

You and I are like two magazines,
thrown arbitrarily onto
the same laundr-o-mat floor,
in a hold up that became a
flash mob and ended in
a kiss that had virus’
named after it later,
and love songs, too.

The Meta-Movie-like Hangover Experience

Head like a Hellraiser cube.

Eyes like Demons.

Feeling about a foot tall like Puppetmaster,
or some remnant of Harryhausen’s Ghost.

Woke up this morning like Groundhog Day.
Wanted to Lennon Bed-In my way out of it.
Couldn’t find the light switch like Waking Life
meets Philip K Dick meets 12 Monkeys,
or Mice of Men meets T-2, making robotic motions
slowed down like Fear and Loathing’s
man on an ether binge scene.

I’m stuck in my own meta-remake like
Last House on the Left meets
Cabin in the Woods.

My head feels like Blow Up.
I wanna throw up, like the
intertext of Stand By Me.

I want to crawl up inside a replicant,
I want to be Deckard, I want Daryl Hannah
from Clan of Cave Bear, to teach me about fire,
and how to be a better warrior, like Braveheart.

My fucking head feels like Scanners,
just seconds before the bang, like original
Total Recall, just before “Two Weeeeeeeks!”
and even a little like the Red Mist leftovers
of Hurt Locker opening scene.

My stomach is like Videodrome.
I could reach inside and pull out a pistol,
long as any of Eastwood’s, but surreal
like one of Nicholson’s Joker props.

My sinus’ like that guy in Crocodile Dundee
in the New York House party, eyes red like the infected in
Return of the Living Dead, Jonny about to scream
“Ginaaaaaaa!”. My nose filled with shit that alternates
between Slimer in Ghostbuster green and
the 80’s The Blob’s pinkish hue and the yellowy rust of
the alien in Enemy Mine.

I’m propped up at the table,
like Texas Chainsaw family,
or even the elder zombies in Dead Alive.

I feel like Gilbert Grape. I try to talk,
sound more like Mumbles from Dick Tracy.
Pale like Powder.

My memory is all Memento meets Hangover
meets Being John Malkovich.
I feel like the actual New Jersey Turnpike.
Like Kafka woke me up in a script for a
Basketcase remake
and all I can do is try to scream but my mouth
is all Mr. Anderson shut, or
even Twilight Zone movie-clamped up.
Either way it’s Eyes Wide Shut darkness.
Event Horizon of the holidays.
Candyman mine as well be in the shower,
and I’ve begun to turn like American Werewolf
in snowstorm. I just want to get back to school
like Dangerfield or Slater or Cusak
in any number of films.

I just want to dance,
like the guy in Dazed and Confused.

Where’s the easy voice over of Daniel Stern?

Yesterday I Wrote

Open season on
aisles of apocalypse.

The script, split
Between, for keeps
and lazy drips which
drop, dropped, drop.

Caught with the
minimum .
Symbolically placed alongside
simple wings.

Crashing back into commonness
And camp; holy about it,
perched forevermore,
thus.