filmic allusion

Seeing Permanent Red

They say us red heads have
tempers like East Coast weather
unpredictable and vicious.

I would argue this point but
it would only send me into
another full blown raging whirl wind.

I turn into a Snickers-less Joe Pesci.
I become Oppenheimer.

Without a moment’s notice.
Even my Jekyll is more like
most people’s Hyde.

Today when I could not find my hat
I felt like I needed it
like some average Junky,
then the more I couldn’t find it,
the more I became Herbert Hunke.

Suddenly I was a barrel short
of 12 angry monkey’s.

I miss a bus and start mumbling
to my room:

“How in the history
of all the holiest fucks
of fucking fuckers
have I lost this goddamn hat
when I have yet to leave the
house today?”

The theories get elaborate, fast.
Some kind of starving, stray
micro-goat-like creature
which normally subsists off odd socks
has not found one lately and has
decided to get brazen.

I must still be wearing it I say,
and pat my red, slowly
sweat-gathering
heavy hair.
Nope.

I check the legs of jeans
startling my bed’s frame
like crusty farmer clothes on
rickety, birch fences.

My inner Shining
declares that
Genes got me here
to begin with.

I go to punch air
and I hit the corner of my door
gashing open my hand,
now I’m bleeding and
cursing and mumbling and
tossing clothes around
like a baglady at the last
Sally Ann sale of the Earth
positive that any second I will
start to shit out everything
I have ever lost
and that’s a lot, a lot, a lot of shit.

By the time I give up and
put my hoody on
I’ve missed another bus
I’ve screamed in italic’s of cuss
I’ve prayed like a desperate Catholic
to a Mexican pick up truck’s Jesus-rust.

Curse this temper of mine.
All it was ever good for
were broken Super Nintendo controllers
dry wall craters covered in NIN posters
and a good post-meltdown chuckle
like the one just now,
while writing this poem.

Maybe that’s enough.

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It’s a fucking miracle we survive every day.

This poem is best read to this:

It’s a fucking miracle we survive every day.
I don’t ever forget that fact that the internet shows you
that every single terrible piece of shit you thought was out there
is just the first stage of the real hell of them all out there, in their undecided,
cynical, high and drunk and violent natures, casting their own shit in verse all over the world.

You can tell me that you see a world of rainbows and honeysuckle at midnight
out there in the one and the zero forever fields, but it is also slain bodies of a million
and it is the empty crevice of idiocy that drives all of them together to fight for their
own pop star suicide and it is the end on repeat in your room for three days and
it is the spectacle of it all removed of all repercussions and given all manner
of righteousness and it will always be this way until we finally go right over the edge.

Some of us will praise
the coming back
of the night.

Some of us will go right on back to our supermarket mimesis,
wandering through a burning, rat-filled Wal-Mart
aisles of melting celluloid and human fat,
everything seeping into the new history and tainting all the fresh ideas again,
it’s a fucking miracle we are less like the matrix trilogy than we are.

But I guess we have Baudrillard
and Nietzsche to thank for that.

You can tell me all you want that it is just a movie, that it is just reality,
that it is just Africa, that it is just truth, that it is just some beat poem or elegy.

I will be left,
in the night of reason
to fiddle my way into
seeing something more.

It is just in some of us,
just in some of us
to be curious with anger
to have an angry
curiosity is the only
healthy aggression you can
ever hope to inherit from
anything you take into your body
your eye
your mind.

Treat them with some fucking Respect.
Then tell me you don’t see the potential for doom in everything else.

Tell me it’s not a miracle,
every day
we get another.

Desperate Times

Film-Speak

 

(Poem for Kiddo)

 

They need a word for

that moment where

you have a Saturday with

nothing left to re-watch

but “A Return to Salem’s Lot”

and, like, fuckin’,

The Stepfather,

and you can’t bring yourself

to watch Michael  Moriarty

single handedly hold it together

like Marlowe with an ex wife.

 

And another for that

moment when Willis re: 12 Monkeys,

where he’s bleeding out

in front of his child self

who also is Jim Morrison in The Doors

and Garrison’s kid in JFK, incidentally.

No Reference Left

Ok fine, you don’t want
the gravy that couples everything
in shiny black shadow when I am high.

You don’t like this meta-business,
it makes your head hurt?

Then let me give it straighter
than Russian Vodka.

Let me give it to you like a football
from Africa kicked
into Spain’s net.
Hot and Fast.

This world is a mess of amazing
and terrible moments.

We all have our respective
backpacks or trunks,
you fit what you can
I’ll go for mine.

And everything else is fine,
bump the table once to get back
to faithful metric and rhyme.

So you’ll have to repeat the
reference or obscure question in
braille of bullets screaming at me
like Neo before he uses the Force,
and you better make mine shaken,
not stirred bitches, because when

I get going I’m part Walt
to wit with
some Pinkman tweak,
some bait and switch shtick.

I can Hyde another skin
on the fire for you,
but you better have mine
Mad Max medium, rare,
I want to flip the Bird
on a Wire

to Fred Astaire
like the head of
the Griswold homestead,
give me acid instead
of Tylenol though,
these Purple Patch
Addams Family Pills
go
to the stomach lining
like Alien/s or The Blob

and I prefer to see
babies on the ceiling
if I’m going out like that,

and maybe some fucking laser
guided shark-creatures as well,
because without a laugh
you aren’t going to Escape from Alcatraz,

whether you’re Good, Bad,
or Ugly as sin, like The Mask,
uglier than Fast and Furious
and just as fucking predictable,

I bet you’d like that wouldn’t you?

You want to come into
tomorrow on some
sort of multi-pass Jovovich
but I’ll have none of it-

I’m up in the Canadian Bacon now,
and we have Nunavut
the way Alex Supertramp
had Alaska and the
way Star Wars distracts
from The Conversation,
so too will poetry take
from the vein of film
running in my arms,
a fucking Spike’s worth
or re-run’s and watches,
and the Marathon Man
like Power of One,
all in the back pocket
of Carol’s Dicaprio shadow,

-but you cannot just
petition new poetry for
a pamphlet to take back
to your little literary Stasi.

We aren’t taking new members.
Come back in May
with the embers,
and bring the cat
from the freezer.

And if you didn’t catch that last one,
don’t bother coming back,
at all. I’ll be here in
The Yellow Wallpaper,
clawing at the wall,
etching my initials in it,

and picking through
the last couple references left
like The Omega Man,
tripping on blue meth,
i’ll be here until i’ve referenced
myself to Death.

The Nightmare of the Zombie

It was the way it always is.
I was in a cemetery with Judith
and we were talking about how
bizarre the whole fame thing is.
How it’s absolutely the work of
bad ju-ju, of hocus pocus, of mice
transformed into the size of men,
of ants and birds and bad things like that.

I guess it was the wine, and the moon,
and the small vortex that opened up,
sort of like in Quantum Leap, so
damn conveniently at the end of each episode
before little Jerry O’Connell got shot by
angry white men or run over by a truck.

We ended up in Los Angeles, but it was
more like a Ridley Scott L.A., and I realized
I was in one of my dreams again, or
I took too much, man. Then I chuckle
while repeatedly saying,

“You took too muuuuuch, man.
Took too much.” just like
del toro’s Gonzo, until Judith
points out the old cemetery
and we wander over.

It’s huge. Like,
a shopping mall of carcass’.

And of course the song from
Return of the Living Dead
plays on some ghetto as a punk
with a Mohawk and a chain
from ear to lip walks by
and spits near my feet.

And then the first heads
start to pop up,
and before you know it
they’re all there.

Orson Welles.
He looks about the same. Belligerent, too.
Hemingway. His head is sort of a mess.
But he has the same jovial spirit!

Bukowski is there.
And Marilyn Monroe
looks pretty damn good.

Which Judith notices me noticing and
makes some ridiculous comment about

how I can only get it up for the paranormal and
cartoon chicks, and I say something like

Jessica Rabbit is practically human.
It’s all her voice.
Shut up and let’s meet some
zombie celebrities!

Everything was going really swell.
I was like a kid in a decomposing candy shop

I talked about Fitzgerald with Ernest ,
and about drinking with Chinaski,
and movies with Welles.

Then we made the mistake of going to some
fucking party and you just knew something
shitty was going to happen, it just felt bad.

The kids at the party just dissed all of them,
if they knew them at all, and called them misogynist
or said they were drunks, or both.

They said Orson Welles was
slow and over-rated.
And no Tarantino.

I wept.

They said Hemingway was
just a representation
of the patriarchy,
and a dirty man,
and Bukowski they
said made Ernest look
like a fucking saint.

I sank.

I don’t even want
to re-describe the way the
feminist crowd devoured
poor Norma Jean.

I understood
where they were coming
from but at the same time,
even a zombified Marilyn was
exhaustively enchanting.

In the end, the old stars left.
Bukowski and Hemingway said they

were gonna go to a fight,
or have one themselves,
whichever happened first.

Poor Orson went looking for some old woman.

Marilyn went out the window rather than
spend another minute with all the bores.

That’s usually when I wake up.
Sometimes me and Norma make out first.
There I said it.

It is not

for KW

It is not for you, it is for me
to walk the streets at all hours still
and sing a little, maybe a dance move or too even
if I feel especially on the end of it all,
I’ll weep uncontrollably.

It is just when I am off the stuff for “a few”,
even text the old Argentine “Yeah no drink till June”
that he’ll get a dozen garbled after-texts
which barely make any sense at all.

Well, if they were from anyone
but me,
that is.

It is not you kicking cop cars and slipping them the finger
before running. Unless you’re one of my cohorts.
In which case you’re likely also wielding a trumpet,
the car is likely on fire, the police are likely, confused and
powerless.

I thought of him the other night
when CTV National exposed some random stories,
one where a rape chant originated at my old University.

One about a strange incident in Parry Sound,
in which dozens of Garden Gnomes,
stolen over a period of time, or was it one night?

Who can be sure, they were all lined up in a parking lot,
though
that much is for sure, all in rows, neat and uniform
and giddy and frolicking

like they didn’t give a fuck,
like nobody had abducted them at all,
like, well, foolish garden Gnomes look,
is all.

It reminded me of the great Gnome slaughter of ’98.
I wish I could remember it.
Like King and Salem’s Lot,
some of the demons are yours but
you can never get un-got.

It is not me I seek in the mad ones I have
followed, like weird news-reel made real,
it is within me, that I hope to share even a shard
of them, like a Skesis trying to get a Gelfling,
in Dark Crystal, to sell him some
more soul.

Some more time, to live in digital youth.
Let’s dance tonight, on the old downtown roof.
The one from the past, all sticky with truth.
I’ve got a story for you, that nobody else will
get but you, & just have
to hear what happened next.

I’ve got a story and
it is not
for anyone else.

Burning to Matter

The easy thing to say has always
made me want to eat acid,
but, like, not the fun kind,
like the deadly-burn-yr-belly-like-Alien, kind.

But I would rather burn
than be burned.

I will be alive when you bury me, there still
when they scatter me back,
and I will be there,
there,
when all the easy things
have had their cheap dance,

to mean something,
is to outlast everything loud
and proud
and pomp.

Easy goes out the door,
when time stretches the canvas out,
large.

Love Letters from The Heat

    Dear internet, fuck you.
    When I think of all the time
    I couldve much better spent
    eating my own feces,
    or destroying an ant hill,
    or bleeding to death under the stars,

    it makes me so mad,
    I could sky dive without a proper pack,
    or devour fire ants through a sive,
    or chuckle to death in some wild drug fit.

    Dear internet anything is better than
    getting a high score,
    on a face book game,
    and auto-inviting and auto-annoying
    a dozen or so friends afterward.

    Makes me feel like
    spitting blood while casting a shadow,
    and humming the Blade Runner theme,
    while walking into a plate of glass, into a
    vat of beer and dying, drunk,
    cursing you in every language, like
    Neo with the drunk kick boxing, like
    it was downloaded into me,
    some sort of Pulse-like demon,
    internet- fuck you – I’m going back
    to the movies
    and a comic book or two.

    Dear internet, how about another drink.
    I left my keys in your sink the
    dinner is on the table, just as well…

    let’s spend the night together
    fuck it.
    There is nobody else
    out there
    anymore
    in the streets
    its like
    Surrogates
    or worse
    The four-hundered and fifty first
    farenheit, even.

    Dear internet give me back the
    prison of my books
    and give me Berlin bricks
    from shitty strip malls
    if not the garden give me the
    hose curled up and eating itself.

    Something to see outside in the day,
    give me a reason not to click
    another four hours
    on to the road
    a million dimes
    for stories could
    be sold.

    Give me a hitch-itchy finger
    that dissolves in the mousey mess
    like salt
    dropped
    into it,

    Let me have the keys I am leaving you.
    Let me have the keys I am stealing
    away from you.

    I want all my empty eyes back
    I want my friend to come and pick me up
    I want to go home
    internet,

    you’ve got me all Hurly Burly
    in my morning pants
    you’ve got me scurvy
    carpal tunnel and a handful
    of other surf related diseases.

    I might have gone on to be somebody.

    I might have gotten out of this backseat.

    I was in many rooms,
    and there were teachers and
    counsellors
    and even some lovers
    and the rain
    and the kisses
    they were suits
    I wore.

    I was good.

    I was always good, trying to be better.

    Internet, give back Cobain’s diary,
    at least the stuff about his divided life,
    the one of books and thoughts and the one TV brought.

    Internet, get off my back.
    I’m going home with Anna Karenina tonight,
    and you should be jealous.

    Read and weep.

    Read, and Weep.

People,

-they have all these ideas
about love

all I think of as love
is people,

dancing first, alone
and in awe, perfectly
then stumbling into

a hall with another million
dancers,

and getting jumbled in each others styles
creating some sort of raucous rave.

When I think of love
I think of the dancers,
all their different moves:

the common trends,
the unique once-in-a whiles,
who go like Bob Marley
did on stage.

Like an oracle,
living myth,

and maybe kissing
my first love in the rain
and maybe some of the other

stuff that
came in the
rain as well,

while a fox watched us.

I caught him catching us
and that’s what love seems
to be to me now.

The coveting of that moment
over all others heard and having
been sung about
and filmed

and sewn and scratched,
cheap scars
and I don’t want to
belabor a poem

it’s little Witness
and I’m not going to even give it
a reference

except sex in the water
from The Crush
because that’s irresistible if
anything is.

Best Read in Voice of “Claptrap” from Borderlands “on Wee-e-e-e-e-d” (half baked reference remix not included but sold seperately at an inflated and ridiculous, almost Avatar like, price)

Welcome to Meta-Mart!
Your one-stop shop for all your reference needs!
Ash in house wares will show you around!

How about some nice Krueger Sheers for the missis?
No? Something less ghastly perhaps,
have you tried the Beetle-juicer plus diet pro?

Welcome to Meta-High!
The première educational facility, for future reference!
Classes offered this semester include:
“Ridgemont to Breakfast Club: the study of hallways as leading motif”.

Welcome to Meta-Poem!

Where this poem stops, looks around,
examines the competition,
and self-immolates on page while blasting
Rage Against the Machine wearing only
Alice’s best laid Chains!

Welcome to the end of the Matrix.
Welcome to Thunder dome.
Welcome to Wendy’s.

Welcome to Go Fuck Yourself!

and

Thank You,
come again.

(in the voice of Apu but a robot.)

Welcome to my left foot,
in harm’s way
up your ass.

Welcome to the Lone Ranger
finally pissing Tonto off enough
that he just eviscerates his skull
with a blunt weapon, around the fire
now,
his shitty, soppy blood trickling into the flames,
being eaten and spit back into the world as smoke,
rising into this very poem,
in this very moment,
welcome to the City of Light.

Please, enjoy your stay.
(in the voice of the Vancouver Skytrain,
or the countdown to self destruct voice of Alien)

Welcome to the evolution of the side kick,
into the arch-nemesis.

Welcome to the Mass reading aloud of your enemies,
your every weakness,
your each subtle neurosis,
your constant need to reference movies,
your empty stomach filled with good, Irish drunk bravery,

and your last, sketchy attempt at infamy.

Welcome to finally using your time wisely.

Now get off my stage.

I have something to burn,
somewhere to be.

Another vague fucking reference to ensure
you don’t get
too far off
into that forest-

modern/post.