bukowki and friends

Eulogy for a Labtop

I Give You, A Laptop Eulogy

She was drawn from the earth
in silver and copper first.

Even some really crazy shit.
Like stuff entire continents
suffer through conflict’s over.

She is born of cultural impropriety,
and she is born of the Vaio-Sony Corp.

She has cradled over 100,000 movies and audio files
yearly now, but once she was just the cold,
precise sum of her factory-slid-into-place parts.

I got her in my place,
and she was ready to go.
I filled her up with every
piece of media we could raise.

She taught me all about feminism too
so don’t get bunched in your Haynes.

That shit is just year 4
so we have to behave.

My vaio deserves a full send off, ok?
So where were we oh yes, the first days…

How they went on and on,
I left you on all night a couple,
I fell asleep with you once
in the bed and woke up to you
screen-down, left to what I thought
might have been choked on your own bits,
face down though I re-lifted and
breath of button flicked you came out of it,
you were a champ even then in the
early virgin years, you know that Vaio?

Year two I, like all pc-men, got sloppy with how I treated you,
and we had our moments, a couple reformats if you don’t recall?
(hahaha get it Vaio-la? Because your memory was wiped and all?)

Oh fuck it, by year three we settled
in again like that was all nothing,
and we have some recovery discs now just in case,
right my little digital honey bunny?

Year four and I count every
day we still have as blessed,
we’re like Deckard and replicant
played by Sean Young, heading West!
Maybe we’ll freeze you awhile
and make a 7 year stretch?

What all I can I will do, to postpone your cyber-death
to this alone I pledge.

My (V)aiolo!
(insert Perry Ferrel reference here)

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Swigging, the Light Fantastic

Give me one more big fucking swig.

I want to leap out of a window some days.
It is nothing special.
I am not infected with anything,
it is just the slow drawl of truth,
giving you what for,
while you wash the whole
floor of the library, with your eye.

I want to creep into the auditorium
and rip out all the seats
and force everyone to dance
at every event
even dog shows
even hockey
even pope visits
and especially pope visits,
but crunking, all of us, dry humping
to his slicked back religioso.

I want to sing in the basement of the madhouse
with my headphones duck taped to my ears
so they can never break me out of my routine,
not easily, you’ll never take me
from my own mad shuffle,
without a fight,
without some scratching,

and some twitching,
and some devil tongue,
and some downright tongue.

I want to eat all of the spirit.
I want to fuck on tombstones and in catacombs.
I want to piss my name in the snow of your culture.

I will be the prisoner out in the yard,
collecting rocks,
making a crude chess set,
trying to learn a new way to say fate,
producing a work that is
half scream,
half tune.

Give me one big swig,
and you can have me
for another day here.
I will close the window,
quit the dance and find
my own way home.

Just give me that bottle.
Give me five minutes of your time.
Give me your first born.
Give me your Jack and
I’ll give you my Queen.

I still have the black one
up my sleeve for later anyway.

Give up already,
we’re already 9 floors down,
and 18 more to go.

Get ready for the finish,
it has nothing to do with circularity.

I wanted to give you one last
echo is all.

Is that not what you longed
for from them all?

Just one reverberating kiss
to guide your final ascent?

Or would you like to come along,
have some fun beneath?

The Nightmare of the Zombie

It was the way it always is.
I was in a cemetery with Judith
and we were talking about how
bizarre the whole fame thing is.
How it’s absolutely the work of
bad ju-ju, of hocus pocus, of mice
transformed into the size of men,
of ants and birds and bad things like that.

I guess it was the wine, and the moon,
and the small vortex that opened up,
sort of like in Quantum Leap, so
damn conveniently at the end of each episode
before little Jerry O’Connell got shot by
angry white men or run over by a truck.

We ended up in Los Angeles, but it was
more like a Ridley Scott L.A., and I realized
I was in one of my dreams again, or
I took too much, man. Then I chuckle
while repeatedly saying,

“You took too muuuuuch, man.
Took too much.” just like
del toro’s Gonzo, until Judith
points out the old cemetery
and we wander over.

It’s huge. Like,
a shopping mall of carcass’.

And of course the song from
Return of the Living Dead
plays on some ghetto as a punk
with a Mohawk and a chain
from ear to lip walks by
and spits near my feet.

And then the first heads
start to pop up,
and before you know it
they’re all there.

Orson Welles.
He looks about the same. Belligerent, too.
Hemingway. His head is sort of a mess.
But he has the same jovial spirit!

Bukowski is there.
And Marilyn Monroe
looks pretty damn good.

Which Judith notices me noticing and
makes some ridiculous comment about

how I can only get it up for the paranormal and
cartoon chicks, and I say something like

Jessica Rabbit is practically human.
It’s all her voice.
Shut up and let’s meet some
zombie celebrities!

Everything was going really swell.
I was like a kid in a decomposing candy shop

I talked about Fitzgerald with Ernest ,
and about drinking with Chinaski,
and movies with Welles.

Then we made the mistake of going to some
fucking party and you just knew something
shitty was going to happen, it just felt bad.

The kids at the party just dissed all of them,
if they knew them at all, and called them misogynist
or said they were drunks, or both.

They said Orson Welles was
slow and over-rated.
And no Tarantino.

I wept.

They said Hemingway was
just a representation
of the patriarchy,
and a dirty man,
and Bukowski they
said made Ernest look
like a fucking saint.

I sank.

I don’t even want
to re-describe the way the
feminist crowd devoured
poor Norma Jean.

I understood
where they were coming
from but at the same time,
even a zombified Marilyn was
exhaustively enchanting.

In the end, the old stars left.
Bukowski and Hemingway said they

were gonna go to a fight,
or have one themselves,
whichever happened first.

Poor Orson went looking for some old woman.

Marilyn went out the window rather than
spend another minute with all the bores.

That’s usually when I wake up.
Sometimes me and Norma make out first.
There I said it.