Addiction

The Nothing and My Statue

I want to tell you
about the nothing
and how it was on my back
from late 90s to just now.

My first time was
just a six pack
of coca cola I was
12 maybe 13,

and I was up all night
with the caffeine propping up
my stinging eyes like,
twitchy invisible insect germs,
holding up heavy red curtains.

I used it to get more comic books read.
It gave me the strength to watch
entire nights of reruns.

I moved onto vodka pretty
much the next summer.
Because it made me think I was
an extrovert and a revolutionary,
and because Val Kilmer drank
as Jim Morrison and I wanted to
be a rebel like him.

I always sounded more like
the Lizard King after some drinks.
It was like the liquid gave me skill.

First pack of smokes found
in The Beer Store parking lot on
Chopin Street in Preston.
They bought me the prison yard acceptance
of first year high school.

I smoked more green any man ever seen,
we had something called wheelchair pot and
I laughed at the sky.

Our crew donned Value Village polyester and
tie dyes from local hemp shops.
We slunk through corn field grids
like eager pony tailed lab rats,
hunting down the cheese of
some wheat kings secret plants.
Dried them out in our parents rafters,
sold the shit for better stuff.

Drank a bottle of Robitussin
because some raver chick in
funfer pink told me it was like Acid,
which was hard to come by and
always made me feel like Neo,
even before The Matrix came out.

My first line was the last thing I
ever put on my back,
through my nose.

I say first because it’s all
the same line,
one massive one that stretches from
a cramped apartment on St. Andrew’s hill,
winds through the jungle of a hundred
dirty stalls, stripper’s breasts, mirror and
chipped dinner plates.

I earned a twitch in the final years,
when I would go for days at a time,
I can’t quite tell you
for too long about it
without risking the
abyss taking me back
you have to take my word
you have nothing
to lose by gaining better ground
in this war,
you lose only your mind when you
play the game with the Nothing,
the nothing,
the not-knot but
not-rope
that you see hanging
from your neck on trees
the next morning,
you’ll have to take my warning
as it is.

I’m just not far away from the fire yet
to turn back and laugh
without risking a salty
statuette of my good intent.

I’ve earned that much.

And how.

I sip coffee in the morning now
with all the music that
was always there to
bring me into sleep,
it is the drug I will always
lean hardest on.

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Your Story

I met you on Route 18.
It was the ugly morning
two after my Mick’s ashes
were put besides his father
and his son’s bodies.

You could see that
I was willing to listen to just about anything
that was not my vacant body
colliding with each bump
in the road and swerve of the transit.

This is the route to his house.
The one I took every weekend I could get off
from the butcher shop in the grocery store in town.
This is the last time I am ever taking this bus.
You see that I am clutching an acoustic
in a flailing black coffin.
Like it is all I ever had.

You start telling me about your quest.
To bring Home Hardware to its knees.
They stole your idea,
your patent pending,
for an apparatus that is both
tape measure and magnifying glass and level.

They stole it right from under you,
and you didn’t care what stood in your way,
you were getting it back.

I thought about the windshield wiper guy,
and that movie that I think only robots
don’t tear up watching,
especially when you told me

how your wife left
and your kids were all grown up
and nobody was on your side
but you were gonna spend your days
making that corporation pay.

It wasn’t the money, either.
It was the truth.
You wanted the world to know
so you had the paper
write an article and you made copies of it.

You let me tell you about the guitar,
and how it was a piece of crap,
truly beyond repair, no strings, warped.
Mick had told me to take it one day last spring,
and it was that ugly day,
when his remaining children,
puffed chests and dry eyes,
had left the wake to go hear the will called out.

When I was told I was not to be their
upon their return, I left.
I left the crowd who
didn’t know my grandfather,
not the way I did.
Not as friend.

I walked past his house.
I finished my 6th beer.
I opened his pickup because
he never locked it.
And I turned it on and
put in the Johnny Cash cd
I had burned for him
a few years back,
when anything that impressed him
I did with a son’s joy.

I wept a little. I cried some more.
I got out with a mission.
I would go into his house
that was never locked, one more time
and I would take my guitar.
My useless, weak instrument.

And I would learn to play
Silver Haired Daddy on it.
It was a song he had cried to many nights
when telling me his own father’s story.

You, Windshield Wiper Man,
you had to ask then, why was I returning
the guitar in its tattered vessel now?
And so I told it true.

His children had called the police.
They had told them I had broken in,
like some criminal, and stolen the only thing
I had left with.

Something he had given me.

So the officer had forced me
to either return it,
or face charges.
It was only right.

Then, you looked at me,
and we shared that moment,
that realization we had both
been put on quests that were
about more than money.
More than family.

Truth.

I told it all then.
How his children had become suspicious when
I started spending time with Mick.

How they had flown in from the West Coast
most having avoided any contact with him,
unless he was buying them condos.

They had learned to roll
their eyes in every language
when he got a few drinks in
and started to tell a familiar story.

And I was suspect.
Because I was interested
in every one of them.

That was when you looked at me,
strange man on a strange quest,
and you said that
no matter what they did
they knew they would never get his
love or respect
not like I had,
and that was all they could do,
was try to take everything else,
even a broken guitar.

You told me
“your story is his story”
and nobody will take that away.
Nobody can.

Then you got off at your stop,
heading toward that massive
Home Hardware.
They were gonna hear from you.
Until you ran out of time.

Leaving Lost Angels

I am emptying at your move
I have no choice but love
I no longer fold my hands for anything
but rest
I have earned
every scar
and all I know of capes
could be squeezed,
uncomfortably into
a dire, match-book mattress,
I only give up when
it protects you.
Tonight I push the bill
off the bar and no longer
snort my way back to sick,
warm, real abandon.
I don’t live in the name of
Rimbaud, Kerouac or Morrison,
this little thing is mine,
and only mine.
The easiest part was killing it
in my head .
Otherwise,
the hardest part is being
aware you are MISSING
irreplaceable days,
and in finding your earnest hope,
for a chance
to live out
what many might call
average lives,
you get to partake of
each individual
dynastic star from
the purview of
cell, stone, and bars.

The Truth

I fucking hate it all.
I hate needing it.
Having to encircle the moment
where I finally stoop back
down to the desert of tomorrow
and eat my own faith alive,
some kind of vulture for
my own survival, my own future.

I love that I can leave it all.
I want to bring them all with me
but they’ve always known that vulture kid,
and I’m heading somewhere new.

I’m heading to you, kid.

The Unwritten Rules of Robert Stack’s Unsolved Mysteries

Anyone ship wrecked is not coming back.

It’s always the family member who repeats
their innocence as a mantra whose guilty.

Mysterious looking military suicides never get solved,
and are most likely not voluntary.

People whose alias’ are just variations of their first name with
not even clever last names, always get caught.

Femme fatales always have their story told to smutty music.

9 times out of 10 when a warden or prison guards body is not found
after a breakout, she’s absconded with the convict willingly.

When someone posts bail and they are guilty,
they flee the state.

An old man and his garden and his missing wife are often
completely connected, and not in a good way.

Sometimes, it’s just a creaky floorboard ridden house with
attention hungry, in the financial pit, owners.

Sometimes even Robert Stack can’t keep a straight face.

Dungeons and Dragons ends up getting you sucked into
satanic murder cults.

Women: don’t hitch-hike!

If no other possible hypothesis suits the case, it’s Satanism!

Chupacabra is out there!
Big foot is underfoot!
Loch Ness no longer lost!

Within an hour of this broadcast,
someone somewhere will recognize
their co-worker at the gas station of K-Mart
and the universal conclusion will be,

“They were the Last One you would suspect.”

Can You Do It?

Can you do it?

It is 2002 in BC, somewhere the ghosts of that night still haunt.

She went around the hotel and
asked if any of us knew Johnny
and none of us did all we knew
was fix and formula
to get some more
but she went around anyway
really just hoping to run into
anyone even a new
Johnny.

It feels like House of the Rising Son
is always playing in some room.
The hallways are all slanted.
I could be in the movie The Doors right now
when the boys meet The Velvet Underground,
but I am not and it smells like piss and sweat and cunt,
altogether, in one stank, rank miasma of odor.

But I am alive and there is some rock left in the room
past the bitch crying into a microphone
and the one filled with darkness and eyes,
and I can taste it now, covering me in sweats
and dry, insipid heart beatings, and I am there,
whenever I get caught off guard by someone on
some corner in some shitty bad place, I am there.

And then, I am not.

It is still the same cracked out place I am sure,
and the bulldozers when they finally do take it,
a plume of soul smoke will erupt in the air like Poltergeist.

She went around the place
like some dour, damsel or Susanna,
finishing the corner of every ladle,
but the corner eats everything too long
left around it, a whirlpool that leaves tragedies
hungrier than she is, before she shuts down.

She looked at me that one night
and out of nowhere asked,
pointing at the crumb on the floor,

Can you do it?

Typical “Nirvana” Inspired Poem

Someone sang it once and they were right
“I only have to do it”
and I was a little fucker back then
when I heard it and I thought it meant
I was meant
for more than what
men are usually meant for.

Someone picked up a brick and
dipped it in cow shit and threw it
through my dreams later
that summer
and it didn’t matter any more.

Someone went away and
now the songs are even worse.

Anyway, I say this only now to you
because for one, I wanted to know you loved me
enough to follow me down here,
and two because you are just another
character who will either be
or not be
fifth business of me,
oh me, oh me, indeed.

Must Be Nice

Enough?

I Don’t Understand This,
you say, you’ve had enough?
Of the stuff?

I’ve never heard of this “too much”.
It sounds pretty fucked.
Like, why would you be at in the
first place if you could’ve said no to start?

Like, how you gonna shit on addicts
when you can’t experience that your
self. Like, how many rejects you

think it takes, to get a Hunter Thompson
or an Irvine Welsh?

It takes millions to produce nation
and one mutant to tell them all
“Go to Fuck”

It’s like a feeling of satisfaction
you say, and I would love
to empathize
but I’ve done, would do
anything in a bag
any size
any way any time
when I was laid back
in the dark of that shine.
That “Mine.Mine.Mine.”

What the FUCK is enough?
Never had it,
Not one time.

But you enjoy the comfort,
That shit sounds divine.