Comic Book/Stored Antithesis

The soft, off yellow light often
produced in the dim chamber
of your childhood comic shop
and its ability to seem
from the kneeled position
over gargantuan strip boxes
of back issues, back then, in the
middle of your proverbial Sandlot
to act as temporal vortex.

A conversion of worlds,
a threshold.

Campbell was right.
It is all journey.

(This one shop owner in our core
had an eye patch and a limp
and I’m sure he did jail time
for weed. He hired us as helpers
me and my buddy from Sekura)

We had the whole back of the
store to go through, just tons of
back stock and all the new stuff.

It was the greatest thing that had
happened to me since Zelda and
sure, maybe even Shadowrun.
(but that’s entering the debatable)

I found The Maxx and Savage Dragon
as the boys from Image left their own
safe worlds and travelled to unknown
riches

(most of them anyway, Sam Keith
is like me I bet and re-watches Cheers,
missing Coach and Diane and the 80’s

as they go by in a slow tightening of flare
and lessening of hem’s, until culmination in
Rebecca’s premiere a la red leather mini-skirt. )

Reading a superhero like Keith’s Maxx gave
me new dreams as a writer. Aside from Steven King,
no other influence has tainted me so deeply,

as those I found in the downtown comic book
stores (there were three at one time, where now
only one will ever at a time today)

Frederick Philip Grove talks about how he
found this call to adventure in Siberia when
he encountered these Khirgiz herdsmen who
yowled and yawped and sang out the true
beatific essence of life, masked in beard and
riding a slow trail to insignificance.

I don’t regret my influences at all.
The darker the Cave, the brighter the sunshine.

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3 comments

  1. It’s a wonderful return to a world where comics set fire to the imagination- innocent and untouched in a way- full of atmosphere, with some neat phrasing. The only thing is- I’m not sure of the line breaks. What dictates them ? Would the piece be just as good without them ?

    1. thank you ! It’s such a contentious thing sometimes, do you present it as straight prose or let the breaths between dictate breaks, as I often do, in a mirroring of many confessional poets before me. I think this piece could eventually be consumed by my novella in fact. But to answer plainly, I usually write lines in spoken breaths, or a certain emphasis, unless otherwise formatted with a rhyme scheme, but for me a meta-blank-vers (or vers libre/free verse) is my usual M.O. (insert Law & Order them here)

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